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Everyday Design: Evolving Objects for Modern Lives

From stackable chairs to modular smartphones, contemporary design reflects environmental and cultural priorities.

By Hiroshi Tanaka··2 min read
a person holding a book in their hand
Tattooed hand holding a red book about design. · @felirbe (Unsplash License)

In 2023, Muuto introduced the Halves Side Table, a minimalist design made from acrylic and stone powder. Its rounded edges and soft grey finish depart from traditional sharp-edged tables. This lightweight yet durable material highlights a trend in furniture: sustainability paired with simplicity. Designed by MSDS Studio, the table’s detachable pieces arrive flat-packed, reducing shipping emissions and supporting environmental goals.

Functionality remains central, but designers now prioritize environmental and cultural factors. The Fairphone, launched in 2013, exemplifies this shift. Its modular design enables users to replace components instead of discarding the entire device. Although Fairphone's sales exceed 500,000 units, its influence is profound. Larger companies, including Apple, are investing in repairability features due to Fairphone's impact.

Melissa Franklin, a curator at the Design Museum in London, states, “Designers today are asking harder questions about the lifecycle of their creations. It's no longer enough to make something beautiful and functional. The materials, the processes, and the afterlife of the object all matter.” This perspective aligns with the museum’s 2022 exhibition Waste Age: What Can Design Do?, showcasing objects made from recycled materials, like mushroom mycelium lampshades and pressed ocean plastic blocks.

Cultural resonance is now a cornerstone of design. In 2021, IKEA collaborated with Skruf to create carafes and tumblers inspired by Scandinavian drinking rituals. These hand-blown pieces blend heritage with accessibility. Similarly, Naoto Fukasawa’s work with MUJI reinterprets traditional forms, such as the 2020 launch of a portable aromatherapy diffuser resembling a smooth river stone. Fukasawa’s focus on organic forms reflects his interest in “without thought” design—objects so intuitive they feel inevitable.

Consumer demand has driven this shift towards cultural identity and environmental consciousness. A 2021 report from the World Design Organization revealed that 82% of respondents believe the design industry must address environmental issues. Designers are responding with innovative systems, like subscription-based furniture rentals from Belgian startup Koa, which aim to reduce waste by extending the lifecycle of each piece through shared use.

Technology manufacturers are reevaluating object perception and use. The Google Nest Thermostat, released in 2011, combines a simple circular design with machine learning. It “learns” household temperature preferences, automatically adjusting settings to reduce energy use. This device has inspired a wave of smart household products that merge digital functionality with an unobtrusive aesthetic. Critics like Dr. Amy Wilkes question whether these devices genuinely reduce consumption or merely shift it to other areas, such as data centers.

As design intersects with sustainability and cultural awareness, scalability becomes a concern. Many innovative objects, like Fairphones and hand-blown glassware, exist in niche markets or premium price brackets. Can these concepts achieve mass-market adoption without losing integrity? Franklin suggests that progress is incremental: “It starts with smaller studios and experimental pieces. Over time, those ideas filter into larger systems and supply chains.”

The evolution of everyday objects reflects a negotiation between old and new priorities. Whether through a flat-packed table or a smartphone designed for repair, modern design explores how objects function within their ecosystems. As cultural and environmental narratives evolve, the question is not if design will adapt, but how quickly—and at what scale—it can.

#design#innovation#sustainability#everyday objects#cultural identity#functionality#aesthetics
Hiroshi Tanaka — Hiroshi Tanaka reports on Japanese craft traditions and contemporary practice from Kyoto. Trained as a ceramicist before turning to writing.
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